Kari and Maureen

Canadian actress. Born on March 25, 1970. Matchett is originally from Spalding in Saskatchewan, commenced her acting career after she relocated to Ontario. She had her first profession on Canadian television. She then moved into the United States, where she played a major role in The Secrets of Nero Wolfe Invasion 24 Hour Studio 60 In The Sunset Strip Ambulance Earth. In the series, she played Last Conflict . She received an Gemini Award by the Canadian Television Series The Department of Wet Cases in recognition of her role. The show also featured her as an actress's wife in one of the principal characters in many seasons of Impact. In the TV program Covert Operations, she plays the role of Joan Campbell. Cube 2, a 2002 Canadian film that was her first major-screen performance. Also, appeared on screen in Angel Eyes Boys with Broomsticks The Tree of Life as in Hypercube. Divorced. Her first child was a son, known as Jude Lyon Matchett was born in June 2013. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. Her stunning beauty, dazzling red locks, and her passionate portrayals of courageous heroines made her a star in 1920. She was an imposing actress and a confident lady. It was whether it was being saved from the hands of Charles Laughton in The Hunchback of Notre Dame (1939), getting married in the dark coal skies with Walter Pidgeon in How Green Was My Valley (How Green Was My Valley, 1941) or learning about the miracle of life from Natalie Wood in Miracle on 34th Street (Miracle on 34th Street 1947) or fighting for supremacy against John Wayne in The Quiet Man (The Quiet Man 1952) Maureen O'Hara is the first book-length biography of the screen icon who was hailed as the Queen of Technicolor. This book chronicles the screen icon's journey from her childhood in Dublin until her peak of fame Hollywood the film reviewer Aubrey Malone draws on new information of the Irish Film Institute production notes of films, as well as information from the old film journals, as well as fan magazines and newspapers. Malone also examines the relationship between the actress and frequent co-star John Wayne and her relationship with director John Ford and he addresses the much-discussed issue of whether the screen siren is a woman or an antifeminist persona. Though she was an icon of film's golden era, her tendency to keep her privacy private and the behavior of making public statements in opposition to her personal values has made her a mystery. This new biography gives viewers the opportunity to meet the woman who was behind her iconic image of the past.